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Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Literature
I. A Birthday Letter . From The
Yellow Dwarf".
II. Hand and Heart .. By Francis
Prevost . . 29
III. Cousin Rosalys
.. Henry Harland . . 35
IV. Wolf-Edith ... Nora Hopper
.. 65
V. On the Art of Yvette Guilbert
Stanley V. Makower . 60
VI. A Ballad of the Heart's Bounty
Laurence Alma Tadema . 85
VII. Stories Toto Told Me .Baron
Corvo ... 86
VIII. Mary Astell . .
.Mrs. J. E. H. Gordon . 105
IX. Rideo . . . . R. V. Risley
. . . 188
X. The Fishermen (from the French of
Emile Verhaeren)
Alma Strettell . . 135
XI. Death's Devotion . . Frank Athelstane Swet-
tenham . . . 145
XII. Song
of Sorrow . . Charles Catty . . 157
XIII. The Sweet o' the Year . Ella Hepworth Dixon . 158
XIV. Two
Sonnets from PetrarchRichard Garnett, LL.D.,
C.B. . . . . 167
XV. Poor Romeo! . .
.Max Beerbohm . . 169
XVI. Sunshine . . . Olive Custance . . 187
XVII. A Journey of Little Profit
John Buchan . . 189
XVIII. A Guardian of the Poor . T. Baron Russell .
. 205
XIX. A Ballad of Victory . Dollie Radford . . 229
XX. Four Prose Fancies . Richard Le Gallienne .
237
Art
I. The Missing Boat in Sight. . By Edward S. Harper
II. The Fishing
House
III. Stanstead Abbots
E. H. New . 23
IV. Study
of Trees . Mary J. Newill 32
V. The Lady of Shalott . Florence
M. Rudland 54
VI. "Come Unto These
Yellow Sands"
H. Isabel Adams . 82
VII. A Reading from Herrick
Celia A. Levetus . 102
VIII. Night .... J. E. Southall .
132
IX. Hermia and Helena
X. Port Eynon, Gower
C. M. Gere . . . 140
XI. "Three Blind Mice" . E. G. Treglown 153
XII. "Binnorie, O Binnorie"
Evelyn Holden . 164
XIII. The Artist's Mother
XIV. A Book Plate . A. J. Gaskin . . 182
XV. Tristram and
Iseult
Bernard Sleigh 2O2
XVI. Cupid . Sydney Meteyard . 233
XVII. A Book Plate
Mrs. A. J. Gaskin . 257
The Title-page and Front Cover are by
Mrs. PERCY DEARMER.
The Pictures in this Volume are by Members
of the BIRMINGHAM SCHOOL.