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Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Literature
I. Dogs, Cats, Books, and the Average Man) By "The Yellow Dwarf"
II. An Idyll in
Millinery . Ménie Muriel Dowie . 24.
III. D'Outre tombe . . Rosamund
Marriott-Watson . . . . 54
IV. The
Invisible Prince . Henry Harland . . 59
V. An Emblem of Translation Richard Garnett, C.B., LL.D. . . . 88
VI. La Goya : a Passion of the Peruvian Desert
Samuel Mathewson Scott 95
VII. Lady Loved a Rose . Renée de
Coutans . .167
VIII. Our River. .
. Mrs. Murray Hickson . 169
IX. Kathy . . . . Oswald
Sickert . . 179
X. Sub Tegmine
Fagi . . Marie Clothilde Balfour . 199
XI. Finger-Posts . . . Eva
Gore-Booth . . 214
XII. Lucretia .
. . . K. Douglas King . . 223
XIII. The Serjeant-at-Law . Francis
Watt . . . 245
XIV. Night and
Love . . Ernest Wentworth . . 259
XV.
Two Stories . . . Ella
D'Arcy . . . 265
XVI. Prince Alberic and
the Snake Lady
Vernon Lee . . . 289
Art
I. A Dutch Woman . . By Mrs.
Stanhope Forbes
II. Babies and
Brambles . Katharine Cameron . 55
III.
The Dew . .
IV. Ysighlu . J. Herbert
McNair . . 89
V. A Dream
VI. Mother and Child . Margaret Macdonald . 162
VII. Ill
Omen
VIII. The Sleeping Princess
Frances Macdonald . 173
IX. Dieppe Castle . .
X. The Butterflies
D. Y. Cameron . . 218
XI. The Five Sweet Symphonies
Nellie Syrett . . . 256
XII. Barren Life . . . Laurence Housman
. 261
XIII. Windermere . .
. Charles Conder . . 286
The Title-page and Front Cover Design are
by J.
ILLINGWORTH KAY.