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Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Page
8 The Biology of Winter . . . J. ARTHUR THOMSON.
21 A Winter Song . . . . SIR GEORGE DOUGLAS.
22 Impressions of Winter . . . DR. EDWARD B. KOSTER.
28 Winter . . . . . . ROSA MULHOLLAND
35 Fantasies . . . . . J. H. PEARCE.
1. A Year and a Day.
2. An Odd Coincidence.
43 When the Dew is Falling . . FIONA MACLEOD.
44 The Mother of Jesus . . . KATHARINE TYNAN.
51 Symbols . . . . . . W. J. ROBERTSON.
53 Frost . . . . . . ELIZABETH A. SHARP.
61 Between the Ages . . . . NIMMO CHRISTIE.
63 Il neige . . . . . . PAUL DESJARDINS.
67 The Dream . . . . . H. C. LAUBACH.
and
The Fulfilment . . . . W.M.
69 Sant Efflamm and King Arthur . EDITH WINGATE RINDER.
75 All Souls' Day . . . . . NORA HOPPER.
75 Pourquoi des Guirlandes Vertes . ELIE RECLUS.
à Noël . . . . . .
91 Christmas Alms . . . . DOUGLAS HYDE, LL.D.
99 The Love-Kis of Dermid and FIONA MACLEOD.
Grainne . . . . .
101 Dermot's Spring . . . . STANDISH O'GRADY
106 A Devolution of Terror . . . CATHARINE A. JANVIER.
Page
115 Grierson of Lag . . . . W. CUTHBERTSON.
118 The Snow Sleep of Angus Ogue . FIONA MACLEOD.
127 The Chiefs' Blood in Me . . SARAH ROBERTSON MATHE-
SON.
128 The Story of Castaille Dubh . MARGARET THOMSON.
132 The Black Month . . . . M. CLOTHILDE BALFOUR.
141 The Best of All . . . . W. MACDONALD.
142 The Megalithic Builders . . PATRICK GEDDES.
155 Envoy . . P.G. and W.M.
5 Almanac . . . . . . N. BAXTER.
19 A Cottage in a Wood . . . JAMES CADENHEAD, R.S.W.
33 A Winter Harvest . . . . A. G. SINCLAIR.
49 Madonna and Child with St. John ANDREW K. WOMRATH.
65 The Sphinx . . . . . JOHN DUNCAN.
77 Winter . . . . . . W.G. BURN MURDOCH.
97 'By the Bonnie Banks o' Fordie' . CHARLES H. MACKIE.
113 Aslavga's Knight . . . . ROBERT BURNS.
125 St. Simeon Stylites . . . ANDREW K. WOMRATH.
139 Felling Trees . . . . . CHARLES H. MACKIE.
153 Winter Landscape . . . . JAMES CADENHEAD, R.S.W.
157 Lapis Philosophorum
ANNIE MACKIE . . . . . . . . . 31, 35, 52, l01, 151
EFFIE RAMSAY . . . . . . . . . . . . 8, 61, 91, 95
JOHN DUNCAN . . 3, 28, 53, 62, 74, 99, 100, 118, 127, 128, 132, 141, 142, 155