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THE DIAL NO III MDCCCXCIII

Front Cover designed and engraved by Charles Ricketts

Table of Contents . . . [iii]

❧ Full Page Illustrations

Frontispiece: CENTAURS an experiment in line designed by Reginald Savage
    drawn and engraved on the wood by Charles S. Ricketts . . . facing page 1

A ROMANTIC LANDSCAPE an original lithograph drawn upon the stone by Charles Haselwood Shannon . . . facing page 5

PHÆDRA AND ARIADNE
    —“And you will see Ariadne gazing at her sister Phædra who hangs by a rope” ❧ Pausanius.
    A reproduction of a pen drawing by Charles Ricketts . . . facing page 9

WHITE NIGHTS an original lithograph by Charles Shannon . . . facing page 13

PAN MOUNTAIN an original woodcut designed and engraved on the wood BY T. Sturge Moore . . . facing page 17

IN THE THEBAID an illustration to a poem “The Sphinx” by Oscar Wilde
    to be published at the sign of the Bodley Head ❧ a reproduction of a pen drawing by
    Charles Ricketts . . . facing page 19

AN INTRUDER an original lithograph drawn upon the stone by Charles Shannon . . . facing page 21

SOLITUDE an original woodcut drawn and engraved on the wood by Lucien Pissarro . . . facing page 25

THE TOPMOST APPLE an original woodcut from the Vale edition of “Daphnis and Chloe”
    designed and engraved on the wood by Charles Shannon . . . facing page 27

THE LOTOS-EATERS ❧ a reproduction of a pen drawing by Reginald Savage . . . facing page 29

Ballantyne Press Colophon by Charles Ricketts . . . facing page [33]

Back Cover Ornament by Charles Ricketts

MLA citation:

“Full-page Illustrations” The Dial, vol. 3, 1893, p. [iii]. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv3-1toc/