Usable according to the Creative Commons License Attribution Non-commercial Share-alike.
Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Literature
I. The Foolish Virgin . . By George Gissing.
II. Rest .... Arthur Christopher
Benson 43
III. Two Stories ...Frances E. Huntley . . 47
IV. P'tit-Bleu ... Henry
Harland .. 65
V. Aubade .... Rosamund Marriott Watson 97
VI. Dies Irae ... Kenneth
Grahame ..101
VII. The Enchanted
Stone . Lewis Hind ... 115
VIII. Two Songs ... Nora Hopper
... 137
IX. A Captain of Salvation . John Buchan... 143
X. Georg
Brandes .. Julie Norregard .. 163
XI.
Postscript ... Ernest
Wentworth...177
XII. In Dull Brown
..Evelyn Sharp ... 180
XIII. Three Prose Fancies . Richard
Le Gallienne . 205
XIV. Rain (from
the French)
of Emile Verhaeren) Alma Strettell...
223
XV. A Slip under the Micro-
scope
H.G. Wells... 229
XVI. The Deacon ... Mary Howarth .. 255
XVII. Two Sonnets . Hon. Maurice Baring . 297
XVIII. A
Resurrection ..H.B. Marriott Watson .
303
XIX. The Quest of Sorrow . Mrs. Ernest Leverson .. 325
XX. A Mood ... Olive Custance .. 341
XXI.
Poet and Historian .. Walter Raleigh .. 349
XXII. Wait
.... Frances Nicholson .. 371
XXIII. An Engagement .. Ella
D'Arcy.. 379
Art
I. A Girl's Head. . By D.Y.
Cameron
II. A Southerly
Air ..A. Frew .. 39
III. Study of a Calf .. D.Gauld
.. 44
IV. A Pastoral...
Whitelaw Hamilton. 61
V. Stacking
Hay ... William Kennedy . 94
VI. A Girl's Head. . Harrington
Mann . 98
VII. The Harbour Light..
D. Martin .. 112
VIII. Evening by the River . T.C. Morton ..
133
IX. Under the Moon .. F.H. Newbery . 139
X. A Windmill
... James Paterson .. 159
XI. Hen and Chickens .. George
Pirie .. 173
XII. The Old Mill ..
R.M. Stevenson . 178
XIII. The Forge ... Grosvenor
Thomas . 201
XIV. Geisha .... E. Hornel .. 220
XV. Portrait of a Lady .. George Henry ..
226
XVI. Horses .... J.
Crawhall .. 252
XVII. The Ballad
Monger . Kellock Brown . 293
XVIII.
The Pied Piper .. J.E.
Christie .. 299
XIX. Wild Roses ...
Stuart Park .. 321
XX. Portrait of Kenneth
Grahame
XXI. Portrait of a Child
E.A. Walton .. 336
XXII. A Sketch ... James Guthrie .. 43
XXIII.
A Barb
..
XXIV. Portrait of Miss Burrell
John Lavery .. 366
XXV. Idling . . .
XXVI. The Window
Seat
Alexander Roche . 373
The Pictures are by Members of the Glasgow School.
the Half-tone Blocks
are by the Swan Electric Engraving Company